Sunday, July 19, 2009

The Creative Process: Patterns

Well, another day another dollar. When you're balancing a full-time career with a creative (and hopefully profitable) craft venture, the creative process can be more like creative torture. The thoughts start racing: what if my 2-hour window of awake-time tonight is totally wasted on feeling uninspired, or worse, watching a rerun of "House"? What if my kiddo stays awake until 10 when I promised an order would be mailed tomorrow at 8 a.m., and it needs 3 hours of work? What if I'm a hack?

It all comes down to the "What if I'm a hack?" question. How can it not? Look at etsy's beautiful and skilled crafters and you'll ask yourself the same thing. But when it comes to patterns, I think I am on solid footing.

There is a process that I've become familiar with for my pattern development, and it goes something like this:
  1. First, I see something I like and want to improve. It's usually of the basic criteria like "dress," or "skirt." I make a mental note and sometimes send myself a note.
  2. I then sketch the shape on whatever's handy. This is usually the back of a Target receipt.
  3. I bring the sketch home and draft up instructions. Typing up the instructions before having a pattern or even putting needle to fabric helps me figure out what shape the pattern pieces actually have to be. (I've done it both ways: on both the Jaime Sundress and Eryn reversible skirts, I actually made the garment first. But I learned from these I would rather think it through before making it.)
  4. I then draft up pencil-drawn pattern pieces, usually taken from whatever similar garment I can get from my kiddo's closet. I modify, tinker, alter, and put the pattern pieces on her butcher paper. (We had an incident a couple months back where she unrolled an entire butcher paper roll from Ikea; it's now cut into workable sizes for me to make pattern pieces.) Then I cut the fabric.
  5. I take pictures along the way, at every step. It slows me down to a very uncomfortable pace (I'm a rusher, so sue me). But it ensures that I'm thinkign about each step. I don't mind screwing up in my own home, but the sheer idea of how mortified I'd be after screwing up a step that someone else tries inspires me to take it slow.
  6. I then match the photos to the steps: was I right? Did I implement it in the same way or different. I do final text tinkers.
  7. Then comes the fun part: doing the real pattern pieces in the pattern. This takes a little skill and a lot of patience because I'm determined to get them just right. Straight lines are easy, but very few of my patterns use right angles. I hunker down for the challenge and dive in with curves and angles.
  8. Dumping the photos into the pattern is the final reward. A few touch-ups to the cover art usually take me forever, because I'm not a good finisher. (Just ask my second-grade teacher Mrs. Hallett.) But I do it. And you'll note I often give myself announced deadlines. Otherwise I'd never get anything done. (Just ask my boss, Gary.)
Posting the finished product to etsy, or packaging it for sale at a local shop, never feels like the relief it should. But when a new pattern sells for the first time, I get a little chill each time. I finished something! I did it!

Here are a few others who've made the creative process work for them on etsy. My fave patterns:
  • Coffee Cosies by agreensleeve. Perhaps adaptable for cans too, for those of us in hot climates?
  • Candy Wrapper Bags by bagladymomma. Make a statement, with the smell of chocolate.
  • Journal Clutch by keykalou. All of her stuff is delicious.
  • Max the Owl Plushie by ginia18. Owls are a love of mine, a love that is not shared by kiddo.

Dreams regarding my day job


Okay, it's not like I'm turning in my resignation letter today. In fact, I'm one of those lucky people who actually likes their job. Verging on loving it. But I can't help but recognize the strange allure of leaving the day job life behind to pursue hopes and dreams.

One of the biggest fuels for this dream is Etsy's series of Storque articles on "Quit your day job" success stories. I look at their happy little crafter faces, their personal anecdotes ("I've never been one for getting out of bed before 10"), and their beautifully handcrafted stuff, and I think, "That could be me."

But I'm a long way off from that. I have a *career*, for g'sake, and the prospect of replacing said career income is, well, difficult to imagine. When I do the calculations, I need something of the magnitude of 20,000 sales (accounting for supplies, postage, etsy fees, the caviar pictured above, and so forth).

So how does one transition from the "Big Dream" (note capitals) to the "big dream" of making a little extra, having someone out there adore your product, and buying a new pair of shoes from time to time?

Changing the thinking is the only thing I can come up with. Repeat after me:
  • I am a creative crafter.
  • It doesn't matter what hours of the day I do my crafting.
  • My goal isn't how much or how often, but just to make.
So for today, I will just make. And tomorrow, I will go to work.

And I'll continue to be inspired by some of my fellow etsy creators who focus on the business of business: